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Recently, The Mysterious Other was
exhibited in Target Gallery. The paintings investigated people,
places, situations; or worked with the theme of various modes
of art intersecting toward a 'matrix' of thought processes.
Intertextuality and interstitial perspectives of the 2009
works now consider what is "unrepresentable" (that
is thought), and what is "not anticipated"
(which is the singular work). The horizon of the known
and unknown, or the relationshp between articulation of the
event and the event itself proposes using archival remnants
as conduits of revision found in discordant or transhistoric
seriality.
(If there is 'style,' it must be plural
[Nietzsche]. A concept is intuition made up of deferment and
difference [Derrida].)
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